THE REDISCOVERY

OF TEXTILE DIVA GEGIA BRONZINI

THE REDISCOVERY
OF TEXTILE DIVA
GEGIA BRONZINI

THE REDISCOVERY

OF TEXTILE DIVA

GEGIA BRONZINI

THE REDISCOVERY

OF TEXTILE DIVA

GEGIA BRONZINI

THE

REDISCOVERY

OF TEXTILE

DIVA GEGIA

BRONZINI

DOMUS | 29 november 2020

“An internationally renowned designer and craftswoman already in the 1930s, she combined the ancient technique of tapestries with the forms of Bauhaus, corn yarns with silk and linen.”

A typically feminine know-how culture characterises an essential period of Italian design between the 1930s and 1970s: a silent line of great manual skill that accompanied the research and the experimentation among the arts. We are talking about the world of textiles, so dear to Gio Ponti that he dedicated a column to it in Domus and an entire issue on the magazine, Stile (n.11, 1941), which featured a number of women who played a role as craftsmen/artists, most of whom are still unknown to the most, such as Renata Bonfanti, Anita Pittoni, Gegia Bronzini and Carla Badiali.

READ MORE.

DOMUS | 29 november 2020

“An internationally renowned designer and craftswoman already in the 1930s, she combined the ancient technique of tapestries with the forms of Bauhaus, corn yarns with silk and linen.”

A typically feminine know-how culture characterises an essential period of Italian design between the 1930s and 1970s: a silent line of great manual skill that accompanied the research and the experimentation among the arts. We are talking about the world of textiles, so dear to Gio Ponti that he dedicated a column to it in Domus and an entire issue on the magazine, Stile (n.11, 1941), which featured a number of women who played a role as craftsmen/artists, most of whom are still unknown to the most, such as Renata Bonfanti, Anita Pittoni, Gegia Bronzini and Carla Badiali.

READ MORE.

DOMUS | 29 november 2020

“An internationally renowned designer and craftswoman already in the 1930s, she combined the ancient technique of tapestries with the forms of Bauhaus, corn yarns with silk and linen.”

A typically feminine know-how culture characterises an essential period of Italian design between the 1930s and 1970s: a silent line of great manual skill that accompanied the research and the experimentation among the arts. We are talking about the world of textiles, so dear to Gio Ponti that he dedicated a column to it in Domus and an entire issue on the magazine, Stile (n.11, 1941), which featured a number of women who played a role as craftsmen/artists, most of whom are still unknown to the most, such as Renata Bonfanti, Anita Pittoni, Gegia Bronzini and Carla Badiali.

READ MORE.

DOMUS | 29 november 2020

“An internationally renowned designer and craftswoman already in the 1930s, she combined the ancient technique of tapestries with the forms of Bauhaus, corn yarns with silk and linen.”

A typically feminine know-how culture characterises an essential period of Italian design between the 1930s and 1970s: a silent line of great manual skill that accompanied the research and the experimentation among the arts. We are talking about the world of textiles, so dear to Gio Ponti that he dedicated a column to it in Domus and an entire issue on the magazine, Stile (n.11, 1941), which featured a number of women who played a role as craftsmen/artists, most of whom are still unknown to the most, such as Renata Bonfanti, Anita Pittoni, Gegia Bronzini and Carla Badiali.

READ MORE.

DOMUS | 29 november 2020

“An internationally renowned designer and craftswoman already in the 1930s, she combined the ancient technique of tapestries with the forms of Bauhaus, corn yarns with silk and linen.”

A typically feminine know-how culture characterises an essential period of Italian design between the 1930s and 1970s: a silent line of great manual skill that accompanied the research and the experimentation among the arts. We are talking about the world of textiles, so dear to Gio Ponti that he dedicated a column to it in Domus and an entire issue on the magazine, Stile (n.11, 1941), which featured a number of women who played a role as craftsmen/artists, most of whom are still unknown to the most, such as Renata Bonfanti, Anita Pittoni, Gegia Bronzini and Carla Badiali.

READ MORE.

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ITA | ENG

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ITA | ENG

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ITA | ENG